In the most recent Metasaga ( more info at the foot of this post) we led a group round the National Gallery of Scotland  to look for metaphors in the paintings.

Lesley ( my co-guide) and  I had chosen a number of stops between us for questions. The final one was mine. It is a painting by Italian painter Correggio and hangs near the entrance of the gallery. The painting is complete except for the central figure which is still in a sort of sketched format. I have tried researching this more but drawn a blank so if I get the artistic comments wrong please forgive - or correct - me.

I understand that this might have been a draft for another picture. Or the central figure might have been left deliberately blank so that a patron could be painted in. Whether either of those are accurate this unfinished painting was bought by another artist  ( who clearly admired the work) and is thought to be sufficiently important to be hung in the gallery.

Bearing this in mind the questions I had at that stop on the Metasaga were

Do you have anything unfinished ( and maybe even put aside or discarded)  that would be valuable to others? Maybe they would be willing to take it over and develop it further? Or work in collaboration to finish it with you?

Does what you are doing have to be finished to be valuable?

I actually thought I had posted on this topic already and I realised that I hadn’t when I  read this excellent post from Ian Aspin on his Really Good Thinking blog which includes another  question on the same theme

“Let’s stop right now and ask “what are we not deciding/starting/doing/finishing now because we don’t think it’ll be perfect?”.”

Worth thinking about?

Metasaga